| John Aslanidis |
| Born 1961 |
Sydney |
| 1987-1989 |
Bachelor of visual Arts, City Art Institute |
| 1990 |
Graduate Diploma of Visual Arts, College of Fine Arts, University of NSW |
| 1995-1998 |
Member of Clan Analogue (collective of electronic sound and visual Artists) |
| 1998-1999 |
Committee member of stripp Gallery Melbourne |
| 1999-2011 |
Based in Melbourne exhibiting in Australia and Internationally |
| Solo Exhibitions |
| 2012 |
Sonic Network No.9 collaborattion with Brian May White Box New York |
| 2011 |
Sonic Network No.9 collaborattion with Brian May dr julius | ap Berlin Germany |
| 2010 |
Sonic Network no.8 Gallery 9 Sydney |
| 2010 |
Sonic Network no.s 4-7 Block projects Melbourne |
| 2008 |
Sonic Network no.3 Gallery 9 Sydney |
| 2007 |
Abstraction Two Views with Tony Woods Mahoneys Gallery Melbourne |
| 2006 |
Sonic Network no.2and Fragments Gallery 9 SydneySonic Network No.2 Austral Avenue Melbourne |
| 2005 |
Sonic Fragments NYC TOBEY FINE ARTS New York USASonic Fragments Criterion Gallery Hobart |
| 2004 |
Sonic Wrestling Fox Galleries Brisbane |
| 2003 |
Sonic TOBEY FINE ARTS New York USA |
| 2002 |
Dislocation Network no.3 PB Gallery Swinburne University MelbourneDislocation Metro Arts Brisbane |
| 2001 |
Rubber ball Eisenberg gallery |
| 1999 |
Dislocation 2 Hotel Sofitel, Melbourne |
| 1998 |
The Home The Museum of Dirt MelbourneA Selection of paintings from 1991 to 1998 stripp Gallery, Melbourne |
| 1997 |
Reverberation Network (Two part exhibition) 151 Regent st Sydney and Stripp Melbourne |
| 1996 |
Reverberation Pendulum, Sydney |
| 1995 |
Crosscurrent series, The Beatty Gallery, SydneyThe Transit Zone series to the Crosscurrent series’ 1991-1995 (two part exhibition)Two Walls Gallery, University of Western Sydney and Charles Sturt University Wagga Wagga NSW |
| 1993 |
Alternation Series Pendulum, Sydney |
| Selected Group Exhibitions |
| 2012 |
FutureShock OneTwo Internationale Neue Konkrete + dr. julius | ap Curated by Matthias Seidel
Structure and Emergence curated by Ron Janovich and Daniel Hill
Lafayette College Easton Pennsylvania, MDC Freedom Tower Gallery
Miami Florida, University Gallery school of Fine Arts Gainesville Florida USA
|
| 2011 |
The 2011 – Light Space Project curated by Giles Ryder Gallery Seescape Chiang Mai, Thailand
Sound and Vision McKenzie Fine Art New York USA
Sounds Good curated by Claudia Calirman Location One New York USA
Together in Harmony Korean Cultural Foundation Seoul Korea
Medium Cool curated by Nick Vickers Kudos Gallery Sydney
|
| 2010 |
Sight and Sound Music and Abstraction in Australia art The Arts Centre Melbourne |
| 2010 |
Constructive | Concrete | Multiple Dr Julius /ap Berlin Germany |
| 2009 |
The Shilo Project curated byChris McAuliffe The Ian Potter Museum of Art The University of MelbourneSNO 51 with Susan Rosmarin and Gilbert Hsiao SNO Gallery SydneyDrawing Folio Block Projects Melbourne |
| 2008 |
Final Show Block Projects melbourneGallery Selections TOBEY FINE ARTS New York USAAbstraction 7 Charles Nodrum Gallery Melbourne
The Monobrow show Hell Gallery Melbourne
The Aliens can smell our blood, Block Projects Melbourne |
| 2007 |
Verus Painters TOBEY FINE ARTS New York USA
Little Monsters curated By Giles Ryder Downtown artspace AdelaidePoints of Departure (Six Australian painters) curated by John Aslani dis, John Aslanidis, Cathy Blanchflower, Richard Bell, Christopher Dean,Helga Groves And Matthew Johnson TOBEY FINE ARTS NewYork USAVerus Painters 03/08/07 TOBEY FINE ARTS NewYork USA |
| 2006 |
Arts and Minds curated By Nick Vickers Delmar Gallery Sydney
The colour of Music Curated by Annabelle Pegus Adelaide Central Gallery, Adelaide |
| 2005 |
Dreams in the Abstract Paintingss1933-2005 TOBEY FINE ARTS New York USA
Group Action Criterion Gallery, Hobart TasmaniaPhallus..Vagina..Tomb TOBEY FINE ARTS New York USA |
| 2004 |
Vibration, curated by Nick Vickers with Jurek Wybraniek and Andrew Leslie, Sir Hermann Black Gallery, Sydney (parallel program to the Sydney Biennials)
Grappling Peleton Sydney |
| 2003 |
Abstraktion 100 years later two part exhibition ,Moscow Artists Union Moscow Russia, and TOBEY FINE ARTS New York USAAbstraktion TOBEY FINE ARTS New York USA |
| 2002 |
Lines 2 Fireworks gallery BrisbaneSummer slam 2002 International TOBEY FINE ARTS New York USA GOOD VIBRATIONS The Legacy of OP Art in Australia Heidi Museum of Modern Art Melbourne |
| 2001 |
Dirty Drawings TOBEY FINE ARTS New York USA
Prints from the Aftermath PB Gallery Swinburne, University,MelbourneFOUR with Chris Bell, Phil Edwards, and Simon Kilvert Openspace Gallery Melbourne |
| 2000 |
Lines Fireworks Gallery BrisbaneStuffed STUFFGallery London UK |
| 1999 |
stripp Victorian Ministry of the arts exhibition spaceStripp Victorian Ministry of the arts exhibition space |
| 1998 |
OpticsThe Herman Black Gallery Sydney
Sixth Australian Contemporary Art Fair Melbourne |
| 1997 |
Electronic’ with Pierre Stokx and Kazumichi Grime Pendulum, Sydney
No Holds Barred 2 (Exhibition of wrestling images) Airspace Sydney |
| 1996 |
On Ya Bike (Exhibition of Cycling images) The Dispensary Sydney4 Sydney Artists’ Ether Ohne Titel, Melbourne |
| 1995 |
Bathurst Art Purchase, Bathurst Regional Gallery, Bathurst NSWNo Holds Barred’ (Exhibition of Wrestling images) Airspace SydneyReel no8 Spazioblat, Corato, Italy |
| 1994 |
Feed Argyle St studios Melbourne, Spiral Arm Canberra, AirspaceSydney, Lismore and Townsville. Flux 2 Airspace Sydney |
| 1993 |
teach your Budgie Astrophysics, Ten Taylor st Sydney Flux Airspace, SydneyTempest Legge Gallery, Sydney |
| 1992 |
Network Two person Exhibition with Phil Grover, Airspace, SydneyThisness Legge Gallery, Sydney |
| 1990 |
Telecom Fine Art Scholarship, Ivan Dougherty Gallery, Sydney |
| 1989 |
Grand Finale Exhibition of Sporting Images, EMR Gallery, Sydney |
|
| Awards/Grants |
| 2010 |
Skills and arts development Grant Australia Council for the Arts |
| 2006 |
New work grant established Artist Category Australia Council for the Arts |
| 2003 |
Export and touring fund Arts Victoria
Pollock Krasner Art Foundation grant
Export and touring fund Arts Victoria Pollock Krasner Art Foundation grant |
| 1993,94,97 |
NSW Ministry of the Arts NAVA Marketing Grant |
| Artist Residencies |
| 2011 |
International residency Program Location One,
New York USA |
| Public Commissions |
| 2012 |
Sonic Network no.11 ,the Arts Centre Melbourne Australia |
| Curatorial Projects |
| 2007 |
Points of Departure (Six Australcatalogueian painters) with Richard Bell, Cathy Blanchflower, Christopher Dean Helga Groves and Matthew Johnson TOBEY FINE ARTS New York USA |
| 1997 |
No Holds Barred 2 (Exhibition of Wrestling images) Stripp Melbourne |
| 1995 |
No Holds Barred (Exhibition of Wrestling images) Airspace Sydney |
| Collections |
| Artbank |
| Allens Arthur Robinson |
| New England Regional Art Gallery, Armidale NSW |
| Lowensteins Arts Management |
| Nortel |
| Sydney University Students Union |
| Westmead Children’s Hospital Sydney |
| TNT |
| Private Collections in Australia, Europe and USA |
| Selected Publications |
| Sight and sound Music and Abstraction in Australian Art Steven Tonkin Exhibiton Catalogue |
| Gallery 9 a serene showcase for serious artists review by Prue Gibson Australian Art Review September 2009 |
| Drawing Folio review by Penny Modra The Sunday Age April 12 2009 |
| Abstraction 7exhibition publication Charles Nodrum Gallery Melbourne 2008 |
| Colour in Art Revisiting 1919 essay by Christopher Dean, Ivan Dougherty Gallery 2008 |
| 50 Emerging Galleries from around the world Andrew Frost Contemporary 2007 Annual |
| Sonic Network no.2 and Fragments Jacqueline Millner, Eyeline no.63 2007 |
| Visual Arts Penny Webb The Sunday Age February 18th 2007 |
| Abstraction Two Views Jane Oneill Exhibition Catalogue Essay Mahoney Galleries Melbourne 2007 |
| Gallery- Going David Cohen The New York Sun Thursday August 25th 2005 |
| Conceptual Crochet/Conceptual Beauty Jacqueline Millner, Eyeline no.57 2005 |
| Disorientate Exhibition catalogue essay Ona Kaukenas October 2004 |
| Sound waves on canvas exhibition review Ben Byrne Courier Mail Brisbane Septem- ber 2004 |
| Sonic Wrestling publication by Fox Galleries 2004 |
| FROM THE MAYORS DOORSTEP in search of the ‘irrelevant’ abstract Piri Haqlasz http//piri.home.mindspring.com January edition 2003 |
| Rex Butler A secret History of Australian Art 2002 |
| Good vibrations to test the retina Robert Nelson the Age November 16th 2002 |
| Good Vibrations: the legacy of Op art in Australia Catalogue essay, Zara Stanhope 2002 |
| Dislocation Exhibition Catalogue essay Morgan Thomas November 2002 |
| Lines exhibition catalogue Micheal Eather March 2002 |
| Dislocation exhibition review Ben Eltham Courier Mail Brisbane November 2002 |
| Art and Australia, Exhibition Commentary March 2000 |
| Artists Run Spaces, Australian Art Collector April 1999 |
| Optics Nick Vickers Exhibition Catalogue March 1998 |
| Hearing and Now Sydney Morning Herald Metro Friday 14 th-20th Feb 1997 |
| Echoes of an Era Carnivale of Sydney Real Time 1997 |
| Portrait of the Artist Michael Smith The Monthly Chronicle Nov/Dec1996 |
| The Fine Art of Wrestling James Cockington, Sydney Morning Herald, Friday 9th June 1995 |
| Real Experience or mere information Peter Duggan, Art Monthly no.72 Au Block Projects Melbourne gust 1994 |
| Myriad of Images, Exhibition catalogue, March 1992 |
| Images Paul Atroshenko, Catalogue essay 1990 |
| Selected Performances/Collaborations |
| 2009 |
Futuro Tropicale Uberlingua Warehouse Meltdown Melbourne saxaphone performance with dj BP |
| 2008 |
Playing saxophone with Head Parts as part of You don’t have to call it music at Toff in Town 22.7.08 |
| 2007 |
Saxophone Performance with Pataphysics as part of Uberlingua at North Bazarre Melbourne |
| 2005 |
Settling old Scores collaboration and performance with Richard Bell Artspace SydneySlide projections January /February as part of Environ monthly event at Loop MelbournePerformance playing saxophone as the BLACK TIGER, for March event of Environ at loop Melbourne |
| 2004 |
slide projections as part of Environ monthly event at Loop Melbourne |
| 2002 |
Saxophone performance in conjunction with film screening by Tony woods, As part of moving image coalition Cinema Nova MelbourneSonic Network No.2 Austral Avenue Melbourne collaboration with Brian May |
| 2000 |
Performance as part of AND, Musicians Club,Melbourne |
| 1999 |
Naptime Performance as part of Surprize devised by Paul Quinn as part of Texture, Southgate Melbourne |
| 1998 |
Slide Projections in conjunction with The Launch of Dislocations (Zonar Recordings) stripp Melbourne |
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