John Aslanidis | |
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Born 1961 | Sydney |
1987-1989 | Bachelor of visual Arts, City Art Institute |
1990 | Graduate Diploma of Visual Arts, College of Fine Arts, University of NSW |
1995-1998 | Member of Clan Analogue (collective of electronic sound and visual Artists) |
1998-1999 | Committee member of stripp Gallery Melbourne |
1999 till present | Based in Melbourne exhibiting in Australia and Internationally |
Solo Exhibitions | |
2018 |
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2017 |
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2016 |
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2015 |
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2014 | Sonic Network no.15 Edwina Corlette Gallery Brisbane |
2013 | Sonic Network sound/painting collaboration with Brian May Gallerie Kai Higemann Berlin |
2013 | Sonic Network no.13 collaboration with Brian May Gallery 9 Sydney |
2012 | Sonic Fragments Ethan Cohan Fine Arts Beacon USA Sonic Network No8 collaboration with Brian May Substation Melbourne Sonic Network no.12 Block Projects Melbourne |
2012 | Sonic Network No.9 collaboration with Brian May White Box New York |
2011 | Sonic Network No.9 collaboration with Brian May dr julius | ap Berlin Germany |
2010 | Sonic Network no.8 Gallery 9 Sydney |
2010 | Sonic Network no.s 4-7 Block projects Melbourne |
2008 | Sonic Network no.3 Gallery 9 Sydney |
2007 | Abstraction Two Views with Tony Woods Mahoneys Gallery Melbourne |
2006 | Sonic Network no.2and Fragments Gallery 9 SydneySonic Network No.2 Austral Avenue Melbourne |
2005 | Sonic Fragments NYC TOBEY FINE ARTS New York USA Sonic Fragments Criterion Gallery Hobart |
2004 | Sonic Wrestling Fox Galleries Brisbane |
2003 | Sonic TOBEY FINE ARTS New York USA |
2002 | Dislocation Network no.3 PB Gallery Swinburne University Melbourne Dislocation Metro Arts Brisbane |
2001 | Rubber ball Eisenberg gallery |
1999 | Dislocation 2 Hotel Sofitel, Melbourne |
1998 | The Home The Museum of Dirt MelbourneA Selection of paintings from 1991 to 1998 stripp Gallery, Melbourne |
1997 | Reverberation Network (Two part exhibition) 151 Regent st Sydney and Stripp Melbourne |
1996 | Reverberation Pendulum, Sydney |
1995 | Crosscurrent series, The Beatty Gallery, Sydney Transit Zone series to the Crosscurrent series’ 1991-1995 (two part exhibition)Two Walls Gallery, University of Western Sydney and Charles Sturt University Wagga Wagga NSW |
1993 | Alternation Series Pendulum, Sydney |
Selected Group Exhibitions | |
2017 |
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2016 |
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2015 |
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2014 | Colour/Music Curated By Anthony Oates Drill Hall Gallery Canberra Australian National University |
2012 | Finding our New Fort Kunsthalle Beacon NY USA |
2012 |
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2011 |
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2010 |
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2009 |
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2008 |
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2007 |
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2006 |
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2005 |
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2004 |
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2003 |
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2002 |
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2001 |
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2000 |
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1999 |
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1998 |
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1997 |
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1996 |
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1995 |
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1994 |
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1993 |
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1992 |
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1990 |
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1989 |
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Awards/Grants | |
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2016 |
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2010 | Skills and arts development Grant Australia Council for the Arts |
2006 | New work grant established Artist Category Australia Council for the Arts |
2003 |
Export and touring fund Arts Victoria
Pollock Krasner Art Foundation grant
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1993,94,97 | NSW Ministry of the Arts NAVA Marketing Grant |
1990 | Mercedes Benz Art scholarship prize |
Artist Residencies | |
2016 | International Studio and Curatorial Program New York |
2011 | International residency Program Location One, New York USA |
Public and Private Commissions | |
2017 | Sonic Network no.18 Longchamp Omatesando Toyo Japan |
2012 | Sonic Network no.11 ,the Arts Centre Melbourne Australia |
Curatorial Projects | |
2007 | Points of Departure (Six Australian artists) with Richard Bell, Cathy Blanchflower, Christopher Dean Helga Groves and Matthew Johnson TOBEY FINE ARTS New York USA |
1997 | No Holds Barred 2 (Exhibition of Wrestling images) Stripp Melbourne |
1995 | No Holds Barred (Exhibition of Wrestling images) Airspace Sydney |
Collections | |
The collection of Mr Simpfendörfer Germany | |
Melbourne Arts Centre collection Hamer Hall Melbourne | |
Artbank | |
Allens Arthur Robinson | |
New England Regional Art Gallery, Armidale NSW | |
Lowensteins Arts Management | |
Nortel | |
Sydney University | |
Westmead Children’s Hospital Sydney | |
TNT | |
Private Collections in Australia, Europe and USA | |
Selected Publications | |
Sound Spheres: John Aslanidis by Marguerite Brown in Art Monthly Australia no.273 September 2014 | |
Colour/Music essay by Anthony Oates in Drill Hall Gallery Catalogue, Publishing Australian National University 2014 | |
Austral Avenue: an experiment in living with Art Jane O’Neill 2012 | |
Sight and sound Music and Abstraction in Australian Art Steven Tonkin Exhibition Catalogue | |
Gallery 9 a serene showcase for serious artists review by Prue Gibson Australian Art Review September 2009 | |
Drawing Folio review by Penny Modra The Sunday Age April 12 2009 | |
Abstraction 7exhibition publication Charles Nodrum Gallery Melbourne 2008 | |
Colour in Art Revisiting 1919 essay by Christopher Dean, Ivan Dougherty Gallery 2008 | |
50 Emerging Galleries from around the world Andrew Frost Contemporary 2007 Annual | |
Sonic Network no.2 and Fragments Jacqueline Millner, Eyeline no.63 2007 | |
Visual Arts Penny Webb The Sunday Age February 18th 2007 | |
Abstraction Two Views Jane Oneill Exhibition Catalogue Essay Mahoney Galleries Melbourne 2007 | |
Gallery- Going David Cohen The New York Sun Thursday August 25th 2005 | |
Conceptual Crochet/Conceptual Beauty Jacqueline Millner, Eyeline no.57 2005 | |
Disorientate Exhibition catalogue essay Ona Kaukenas October 2004 | |
Sound waves on canvas exhibition review Ben Byrne Courier Mail Brisbane Septem- ber 2004 | |
Sonic Wrestling publication by Fox Galleries 2004 | |
FROM THE MAYORS DOORSTEP in search of the ‘irrelevant’ abstract Piri Haqlasz http//piri.home.mindspring.com January edition 2003 | |
Rex Butler A secret History of Australian Art 2002 | |
Good vibrations to test the retina Robert Nelson the Age November 16th 2002 | |
Good Vibrations: the legacy of Op art in Australia Catalogue essay, Zara Stanhope 2002 | |
Dislocation Exhibition Catalogue essay Morgan Thomas November 2002 | |
Lines exhibition catalogue Micheal Eather March 2002 | |
Dislocation exhibition review Ben Eltham Courier Mail Brisbane November 2002 | |
Art and Australia, Exhibition Commentary March 2000 | |
Artists Run Spaces, Australian Art Collector April 1999 | |
Optics Nick Vickers Exhibition Catalogue March 1998 | |
Hearing and Now Sydney Morning Herald Metro Friday 14 th-20th Feb 1997 | |
Echoes of an Era Carnivale of Sydney Real Time 1997 | |
Portrait of the Artist Michael Smith The Monthly Chronicle Nov/Dec1996 | |
The Fine Art of Wrestling James Cockington, Sydney Morning Herald, Friday 9th June 1995 | |
Real Experience or mere information Peter Duggan, Art Monthly no.72 Au Block Projects Melbourne gust 1994 | |
Myriad of Images, Exhibition catalogue, March 1992 | |
Images Paul Atroshenko, Catalogue essay 1990 | |
Selected Performances/Collaborations | |
2009 | Futuro Tropicale Uberlingua Warehouse Meltdown Melbourne saxaphone performance with dj BP |
2008 | Playing saxophone with Head Parts as part of You don’t have to call it music at Toff in Town 22.7.08 |
2007 | Saxophone Performance with Pataphysics as part of Uberlingua at North Bazarre Melbourne |
2005 | Settling old Scores collaboration and performance with Richard Bell Artspace SydneySlide projections January /February as part of Environ monthly event at Loop MelbournePerformance playing saxophone as the BLACK TIGER, for March event of Environ at loop Melbourne |
2004 | slide projections as part of Environ monthly event at Loop Melbourne |
2002 | Saxophone performance in conjunction with film screening by Tony woods, As part of moving image coalition Cinema Nova MelbourneSonic Network No.2 Austral Avenue Melbourne collaboration with Brian May |
2000 | Performance as part of AND, Musicians Club,Melbourne |
1999 | Naptime Performance as part of Surprize devised by Paul Quinn as part of Texture, Southgate Melbourne |
1998 | Slide Projections in conjunction with The Launch of Dislocations (Zonar Recordings) stripp Melbourne |