| John Aslanidis | |
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| Born 1961 | Sydney |
| 1987-1989 | Bachelor of visual Arts, City Art Institute |
| 1990 | Graduate Diploma of Visual Arts, College of Fine Arts, University of NSW |
| 1995-1998 | Member of Clan Analogue (collective of electronic sound and visual Artists) |
| 1998-1999 | Committee member of stripp Gallery Melbourne |
| 1999 till present | Based in Melbourne exhibiting in Australia and Internationally |
| Solo Exhibitions | |
| 2018 |
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| 2017 |
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| 2016 |
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| 2015 |
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| 2014 | Sonic Network no.15 Edwina Corlette Gallery Brisbane |
| 2013 | Sonic Network sound/painting collaboration with Brian May Gallerie Kai Higemann Berlin |
| 2013 | Sonic Network no.13 collaboration with Brian May Gallery 9 Sydney |
| 2012 | Sonic Fragments Ethan Cohan Fine Arts Beacon USA Sonic Network No8 collaboration with Brian May Substation Melbourne Sonic Network no.12 Block Projects Melbourne |
| 2012 | Sonic Network No.9 collaboration with Brian May White Box New York |
| 2011 | Sonic Network No.9 collaboration with Brian May dr julius | ap Berlin Germany |
| 2010 | Sonic Network no.8 Gallery 9 Sydney |
| 2010 | Sonic Network no.s 4-7 Block projects Melbourne |
| 2008 | Sonic Network no.3 Gallery 9 Sydney |
| 2007 | Abstraction Two Views with Tony Woods Mahoneys Gallery Melbourne |
| 2006 | Sonic Network no.2and Fragments Gallery 9 SydneySonic Network No.2 Austral Avenue Melbourne |
| 2005 | Sonic Fragments NYC TOBEY FINE ARTS New York USA Sonic Fragments Criterion Gallery Hobart |
| 2004 | Sonic Wrestling Fox Galleries Brisbane |
| 2003 | Sonic TOBEY FINE ARTS New York USA |
| 2002 | Dislocation Network no.3 PB Gallery Swinburne University Melbourne Dislocation Metro Arts Brisbane |
| 2001 | Rubber ball Eisenberg gallery |
| 1999 | Dislocation 2 Hotel Sofitel, Melbourne |
| 1998 | The Home The Museum of Dirt MelbourneA Selection of paintings from 1991 to 1998 stripp Gallery, Melbourne |
| 1997 | Reverberation Network (Two part exhibition) 151 Regent st Sydney and Stripp Melbourne |
| 1996 | Reverberation Pendulum, Sydney |
| 1995 | Crosscurrent series, The Beatty Gallery, Sydney Transit Zone series to the Crosscurrent series’ 1991-1995 (two part exhibition)Two Walls Gallery, University of Western Sydney and Charles Sturt University Wagga Wagga NSW |
| 1993 | Alternation Series Pendulum, Sydney |
| Selected Group Exhibitions | |
| 2017 |
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| 2016 |
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| 2015 |
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| 2014 | Colour/Music Curated By Anthony Oates Drill Hall Gallery Canberra Australian National University |
| 2012 | Finding our New Fort Kunsthalle Beacon NY USA |
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| 2011 |
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| 2010 |
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| 2009 |
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| 2008 |
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| 2007 |
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| 2006 |
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| 2004 |
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| 2003 |
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| 2001 |
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| 2000 |
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| 1999 |
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| 1998 |
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| 1997 |
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| 1996 |
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| 1995 |
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| 1994 |
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| 1993 |
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| 1992 |
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| 1990 |
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| 1989 |
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| Awards/Grants | |
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| 2016 |
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| 2010 | Skills and arts development Grant Australia Council for the Arts |
| 2006 | New work grant established Artist Category Australia Council for the Arts |
| 2003 |
Export and touring fund Arts Victoria
Pollock Krasner Art Foundation grant
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| 1993,94,97 | NSW Ministry of the Arts NAVA Marketing Grant |
| 1990 | Mercedes Benz Art scholarship prize |
| Artist Residencies | |
| 2016 | International Studio and Curatorial Program New York |
| 2011 | International residency Program Location One, New York USA |
| Public and Private Commissions | |
| 2017 | Sonic Network no.18 Longchamp Omatesando Toyo Japan |
| 2012 | Sonic Network no.11 ,the Arts Centre Melbourne Australia |
| Curatorial Projects | |
| 2007 | Points of Departure (Six Australian artists) with Richard Bell, Cathy Blanchflower, Christopher Dean Helga Groves and Matthew Johnson TOBEY FINE ARTS New York USA |
| 1997 | No Holds Barred 2 (Exhibition of Wrestling images) Stripp Melbourne |
| 1995 | No Holds Barred (Exhibition of Wrestling images) Airspace Sydney |
| Collections | |
| The collection of Mr Simpfendörfer Germany | |
| Melbourne Arts Centre collection Hamer Hall Melbourne | |
| Artbank | |
| Allens Arthur Robinson | |
| New England Regional Art Gallery, Armidale NSW | |
| Lowensteins Arts Management | |
| Nortel | |
| Sydney University | |
| Westmead Children’s Hospital Sydney | |
| TNT | |
| Private Collections in Australia, Europe and USA | |
| Selected Publications | |
| Sound Spheres: John Aslanidis by Marguerite Brown in Art Monthly Australia no.273 September 2014 | |
| Colour/Music essay by Anthony Oates in Drill Hall Gallery Catalogue, Publishing Australian National University 2014 | |
| Austral Avenue: an experiment in living with Art Jane O’Neill 2012 | |
| Sight and sound Music and Abstraction in Australian Art Steven Tonkin Exhibition Catalogue | |
| Gallery 9 a serene showcase for serious artists review by Prue Gibson Australian Art Review September 2009 | |
| Drawing Folio review by Penny Modra The Sunday Age April 12 2009 | |
| Abstraction 7exhibition publication Charles Nodrum Gallery Melbourne 2008 | |
| Colour in Art Revisiting 1919 essay by Christopher Dean, Ivan Dougherty Gallery 2008 | |
| 50 Emerging Galleries from around the world Andrew Frost Contemporary 2007 Annual | |
| Sonic Network no.2 and Fragments Jacqueline Millner, Eyeline no.63 2007 | |
| Visual Arts Penny Webb The Sunday Age February 18th 2007 | |
| Abstraction Two Views Jane Oneill Exhibition Catalogue Essay Mahoney Galleries Melbourne 2007 | |
| Gallery- Going David Cohen The New York Sun Thursday August 25th 2005 | |
| Conceptual Crochet/Conceptual Beauty Jacqueline Millner, Eyeline no.57 2005 | |
| Disorientate Exhibition catalogue essay Ona Kaukenas October 2004 | |
| Sound waves on canvas exhibition review Ben Byrne Courier Mail Brisbane Septem- ber 2004 | |
| Sonic Wrestling publication by Fox Galleries 2004 | |
| FROM THE MAYORS DOORSTEP in search of the ‘irrelevant’ abstract Piri Haqlasz http//piri.home.mindspring.com January edition 2003 | |
| Rex Butler A secret History of Australian Art 2002 | |
| Good vibrations to test the retina Robert Nelson the Age November 16th 2002 | |
| Good Vibrations: the legacy of Op art in Australia Catalogue essay, Zara Stanhope 2002 | |
| Dislocation Exhibition Catalogue essay Morgan Thomas November 2002 | |
| Lines exhibition catalogue Micheal Eather March 2002 | |
| Dislocation exhibition review Ben Eltham Courier Mail Brisbane November 2002 | |
| Art and Australia, Exhibition Commentary March 2000 | |
| Artists Run Spaces, Australian Art Collector April 1999 | |
| Optics Nick Vickers Exhibition Catalogue March 1998 | |
| Hearing and Now Sydney Morning Herald Metro Friday 14 th-20th Feb 1997 | |
| Echoes of an Era Carnivale of Sydney Real Time 1997 | |
| Portrait of the Artist Michael Smith The Monthly Chronicle Nov/Dec1996 | |
| The Fine Art of Wrestling James Cockington, Sydney Morning Herald, Friday 9th June 1995 | |
| Real Experience or mere information Peter Duggan, Art Monthly no.72 Au Block Projects Melbourne gust 1994 | |
| Myriad of Images, Exhibition catalogue, March 1992 | |
| Images Paul Atroshenko, Catalogue essay 1990 | |
| Selected Performances/Collaborations | |
| 2009 | Futuro Tropicale Uberlingua Warehouse Meltdown Melbourne saxaphone performance with dj BP |
| 2008 | Playing saxophone with Head Parts as part of You don’t have to call it music at Toff in Town 22.7.08 |
| 2007 | Saxophone Performance with Pataphysics as part of Uberlingua at North Bazarre Melbourne |
| 2005 | Settling old Scores collaboration and performance with Richard Bell Artspace SydneySlide projections January /February as part of Environ monthly event at Loop MelbournePerformance playing saxophone as the BLACK TIGER, for March event of Environ at loop Melbourne |
| 2004 | slide projections as part of Environ monthly event at Loop Melbourne |
| 2002 | Saxophone performance in conjunction with film screening by Tony woods, As part of moving image coalition Cinema Nova MelbourneSonic Network No.2 Austral Avenue Melbourne collaboration with Brian May |
| 2000 | Performance as part of AND, Musicians Club,Melbourne |
| 1999 | Naptime Performance as part of Surprize devised by Paul Quinn as part of Texture, Southgate Melbourne |
| 1998 | Slide Projections in conjunction with The Launch of Dislocations (Zonar Recordings) stripp Melbourne |